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An Overview of the Project

At the beginning of fall term, Ms. Durand, the Lamont Gallery Manager, reached out to us because of our displayed interest in the gallery and/or from our prior work with the gallery last spring.  She proposed the idea to Principal MacFarlane of curating her dining room in Saltonstall house with pieces from our immense archive. Principal MacFarlane, eager to customize the home, accepted and funded our project (after we came up with a budget, of course). "Watermelon Sleeves," or more properly known as The Red Death , by Federico  Castellón .  For the next few months, Ms. Knauss, the Collections Assistant and Archives Coordinator, supervised our meetings.  Fueled by pizza, we first reviewed most of the items in the archive digitally, noting the pieces that evoked strong emotions from us. As we reviewed the collection, we began to notice themes and nicknaming the pieces such as ‘Watermelon sleeves’ and ‘MS Paint’. There was a section of about a...
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8 Students, 5 Months, 670+ Collection Items, and One Final Exhibition

Much like a Quentin Tarantino film, I’m going to introduce this project by showcasing the climax first, much like when Tarantino presents the audience with his rugged protagonist: tired, bruised and bloody, beaten down, and on the verge of achieving redemption. Obviously, this curatorial project was not as melodramatic as that and no one is out seeking redemption or revenge (and thankfully, no one ever bruised or bloodied themselves).  But we, the Saltonstall House Curatorial team, are certainly worn down from all the moments that preceded this one.  From back to front: Keiji Shinohara (after the style of  Andō  Hiroshige),  Miyanokoshi;  Joan Miró,  L’Ete , 1938;  Japanese Print and Double Sided Woodblock (unpictured), Artist and Date Unknown In my opinion, the peak of this five-month, student-run curatorial project is the exhibition postcard.   Mo...
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